Better Days Ahead With RYAN KEY From YELLOWCARD

Better Days Ahead With RYAN KEY From YELLOWCARD

It's not often you get a second chance in life, especially in the music industry, where success - sustained or fleeting - is anything but a given. But that is precisely what has happened for US rock outfit Yellowcard, who return on October 10 with their new album Better Days.
After forming in Jacksonville, Florida in 1997, Yellowcard became one of the most influential bands in the 2000’s alternative rock scene. Known for blending high-energy pop punk with a signature violin twist, their 2003 breakthrough Ocean Avenue is certified Platinum, with the title track now certified two times Platinum.
Despite this early success - or perhaps because of it - Yellowcard disbanded ten years later, making emotional goodbyes to fans all around the world with a farewell tour. It seemed as though the band's decade of dominance would remain at just that, until Yellowcard reunited in 2022 with a fresh outlook and armed with lessons learnt the first time around.
Fans and the music scene in general embraced the band's music once more, affirming Yellowcard's decision to return from premature band retirement and solidifying their resolve to make their next album also their best. After signing with Better Noise Music, Yellowcard confirmed the addition of Blink 182's Travis Barker to produce the new material, which he was so impressed with, he also stepped behind the kit to play on the whole album.
The result is everything you ever loved about Yellowcard, boosted by musical output from a band that sounds like they have come to terms with their musical status and, more importantly, have rediscovered their zest for life and music.
HEAVY recently sat down with frontman Ryan Key, who battled the effects of a cold to talk about the continued rise of Yellowcard. We start with a subtle attempt at humour by asking how he is feeling about the imminent release of the new album and wish him Better Days ahead because of it.
"It already has, mate," he smiled. "It already has. It's not even out yet, and we're already having the best chapter of this band's career. I think we're right in the middle of it right now. So the fact that the album isn't even out yet and so many amazing things have already happened for us around it and with it, it's pretty mind-blowing."
We continue down that line, asking if the feelings and expectations surrounding the new release are different this time around.
"It feels…," he measured. "We have made a lot of music in our career. We've made a lot of records, and we've written a lot of songs. In 2008, we stepped away from the band - not in the same way that we did in 2016-17 - but in 08 there was this feeling of uncertainty in terms of what was going to come next. We had gone up the first side of the mountain extremely fast. We went from practising in whatever garage we could find to being at the Video Music Awards in two and a half years. It was really rapid. And so we came down the backside of that mountain equally as fast, and we didn't really know what was next."
In the full interview, Ryan talks more about the first stage of Yellowcard's career, including the highs and lows. He opened up about the problems the band faced with being part of the industry cog and how it left them disheartened at a time where they should have been riding the crest of a wave.
He went deeper into the musical side of Better Days, how it is an improvement on anything they have ever done before, and how it represents Yellowcard in 2025. Ryan also detailed how Travis Barker came on board as producer and what difference it made to the finished product. He told us his feelings on working with Barker and how he came to be their studio drummer, signing with Better Noise Music, reaching Number One on the charts after 22 years and more.


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Back To The Future With STEVEN & VERONICA CAMPBELL From AVALANCHE

Back To The Future With STEVEN & VERONICA CAMPBELL From AVALANCHE

Interview by Kris PetersThey say music is in the blood, a point which has been proven time and time over the years and through the annuls of music history.But despite the long history - which includes famous musical relatives Tim and Jeff Buckley, John and Jason Bonham, Max and Jay Weinberg - seldom, if ever, has musical heritage been passed from father to son in quite the same fashion as Australian musicians Adrian and Steven Campell.Adrian fronted Aussie rock outfit Avalanche in the 1970s, a band who are well known for one of their hit tracks Sweet Baby Brown Eyes. Now, over four decades later, Adrian's son Steven has released a cover of his fathers song in his new rock outfit called... Avalanche.Sound confusing? Well it is until you hear the whole story which is one of the topics Steven (lead vocals, bass) and his partner Veronica (lead guitar) spoke about when they sat down for a chat with HEAVY earlier this week."It's a cover of a song my father actually wrote back in the 70s for a band of the same name," Steven smiled. "It's a bit of an amped up version of it, it's not a complete straight cover. So we do add a bit more of a rock heavy vibe to it, but it is relatively the same. It's an old school rock vibe - almost 12 bar blues but not quite - but we amped that up a little bit even more. So the verses, the choruses, there's more amped up and elongated sections, but it's just a classic, fun rock and roll song. Something you would have definitely heard in the pubs in that 70's circuit. It's a great callback for someone that taught me how to sing and really pushed my interest in music."In the full interview, Steven and Veronica talk more about Sweet Baby Brown Eyes, taking Steven's fathers old band name, fusing old style rock sensibilities with modern rock, how this song is the band's most ambitious yet, forming during the COVID period and how they got the band off the ground, their upcoming run of shows, the special treat they have in store for fans at the Sydney and Melbourne shows and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

9 Feb 202315min

Home Is Where The Heart Is With ALEXANDER LASKA From KINGSWOOD

Home Is Where The Heart Is With ALEXANDER LASKA From KINGSWOOD

Interview by Kris PetersAustralian rock outfit Kingswood are set for a massive 2023.Not only are the band releasing their latest album Home on February 24, they are also embarking on a tour around the country which will see the boys perform over 100 shows and take them from the outback to the ocean in a mission that will take up more than half of the year.After making a name for themselves based on pure rock sensibilities, Kingswood have allowed themselves to further explore the complexities of this genre on Home, introducing more acoustic guitar to complement additional vocal harmonies.The result is nothing short of mesmerizing, with Kingswood displaying an alterior side to their musical personalities without straying too far from the sound that has made them a household name in their home country.The tour is understandably the band's biggest, most ambitious run of shows yet, and will see Kingswood drive practically the whole way in a custom built touring bus built, as one would expect, by the band to suit individual touring needs.Guitarist Alexander Laska sat down for a chat with HEAVY earlier this week, nestled comfortably in the second lounge section of what will be the band's home for more than six months."I cannot be more excited, to be honest," Laska beamed when asked about the upcoming album. "It's an album that's been in the works for the last three years - we've actually got a bunch of albums ready to go. We were very diligent in the COVID situation. All of this was done at the base of Mount Tamborine and we finished a little bit off in Nashville this last year when we were there for AmericanaFest. It's a big rock and roll album, it's an alt-country album, it's got lots of guitars. Everyone says that we've gone country, but we played Tamworth and everyone was like what's this rock and roll band doing here (laughs). We sort of stride the line between the two, but I would say it's a pretty guitar heavy album, to be honest. Put it this way, there's the most guitar solos we've ever had on this album and a lot of them are harmonised guitar solos, so what does that tell ya?"To date Kingswood have released the single Burning Holes, with Laska shaking his head when asked if that song is a good sonic representation of what to expect from Home."Definitely not," he smiled. "Not at all. Burning Holes is probably the most tender moment and we released it because it was the oldest written and we wanted to come out... we like pulling left field moves, so in a cruel twist of fate we decided to release our acoustic ballad as our first single and then drop a rock and roll album in the follow up. Just to fuck with people, because we're sadistic or something. I don't know what's wrong with us (laughs). It's also a really good song, and we believed in the song so we thought why not."In the full interview Alexander talks more about the song selection on Home, opening the album with an acoustic feel and why, having the album mixed in Nashville, the new musical journey of the band as outlined in the press release, their recent tour of Europe and the U.S.A, the upcoming Home Towns Tour and how they plan to survive, what to expect from the shows, slumming it in the tour bus and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

9 Feb 202315min

Kiss And Make Up With BRYCE & AUSTIN MILETO From SISTERS DOLL

Kiss And Make Up With BRYCE & AUSTIN MILETO From SISTERS DOLL

Interview by Kris PetersAussie rockers Sisters Doll have done more in their short music career than most bands do in a lifetime.Since forming in 2010 the three brothers have been on Australia's Got Talent, judged All Together Now, played on seperate occassions with KISS legends Bruce Kulick and Peter Criss, performed on last years KISS Kruise, toured overseas on multiple occassions, played the Whisky A Go Go and toured Australia with legends such as Eclipse, Pretty Boy Floyd, Enuff Z Nuff, Wednesday 13, Crash Diet and more.Did I mention they are all still pretty much kids?The music world has had the privelage of watching these three youngsters from the small town of Collie in Western Australia grow up - both musically and as men - practically before our eyes. We have shared in their debut album Welcome To The Dollhouse and breathed every moment of their television performances and live outings.Essentially starting life as an 80s inspired glam metal outfit, Sister's Dolls music has grown with its members, the culmination of which can be heard in their latest single Kiss Me which is out on February 10.HEAVY caught up with Bryce (drums) and Austin (bass) Mileto to chat about the new track and more."It's kind of a bit more punk and pop influence," Austin began. "That was not a choice. We wrote it and that's the path it was taking. Musically, it's kind of in that vein but has a super catchy chorus.""It probably wasn't our first choice going in with this song," Bryce added. "But the more we were working in the studio Ricky, our producer, said this would be a good one to go with. Prisoner (last single) is pretty heavy and in your face. This one still has the edge of that but it's a bit more pop/punk esque. A bit more radio friendly and a bit more...""A bit more of that touch to it," Austin took over. "Prisoner was so hard hitting so we thought... this is a hard hitting song - it's got that heavy, guitar driven riff...""We thought we would try a different thing," Bryce concluded. "And then the follow up single to this one even is different again. It's pretty cool. We thought we would show the different side of the band and how we can pump out... I guess we're trying to steer away from that stereotypical thing where people think we're a cover band or a throwback to the 80s, but we're more trying to show our musical growth."In the full interview the boys discuss Kiss me in greater detail, the inspiration behind the track, the special video being released on Valentine's Day, growing up in the spotlight, their upcoming album and its musical direction, the recent Glam Fest tour, playing on the KISS Kruise, future plans and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

9 Feb 202314min

Musical Mayhem With BRYAN GARRIS From KNOCKED LOOSE

Musical Mayhem With BRYAN GARRIS From KNOCKED LOOSE

Interview by Kris PetersKnocked Loose are returning to Australia next month as part of the first ever Knotfest Australia run of shows.Having only been here the once before, fans who witnessed those shows can attest to the majestic ferocity of their live performances, and those who missed them... well you have a chance to rectify that over three shows on March 24,25 and 26 in Melbourne, Sydney and Brisbane.HEAVY spent some time with frontman Bryan Garris this week to get the lowdown on what to expect."I'm very, very pumped," he smiled. "I was just saying to somebody that Australia is one of our favourite places to be and it's so long since we've been back."Being that this is the first time Knotfest has spread its wings to Australia, the addition of Knocked Loose to the travelling event seems like just rewards for a band who has taken the world by storm in their brief existence."It is a huge honour," Garris nodded. "It's an honour to just be included. We were fortunate enough to play in Iowa a couple of years ago and that alone was an amazing opportunity. To be able to take it to Australia and for it to be your first time in Australia... it's like pretty legendary and we are very excited to be able to play a small part in that."In the full interview, Bryan talks more about the run of shows, who he is most looking forward to touring with on the line-up, the strong Australian representation, checking out local bands while they are here, what to expect from Knocked Loose's shows, their last EP A Tear In The Fabric Of Life, how much of that they will be playing live, the concept behind that album, if it is easier or harder to write to a conceptually based theme, future new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

9 Feb 202311min

No Need To Yell With  A WILHELM SCREAM

No Need To Yell With A WILHELM SCREAM

Interview by Erin Eddy.Punk rockers A Wilhelm Scream will be heading back to Aussie shores in March and are ready todrink beer outta shoes with us all!HEAVY got to chat with Trevor, Nuno and Nicholas who are very enthusiastic about returning toAustralia for the first time since 2016.They also explained why they took nine excruciatingly long years between album releases.“I think someone from The D4, or some really cool band, said something really cool like ‘I neversigned no fucking contract that said I had to put out a record every year! This is punk rock! I do whatI want!’ I am paraphrasing of course but yeah… I mean, we had a lot going on.”A Wilhelm Scream spend a lot of time on the road touring, and this also contributed to the lengthytime period between releases.“Every time we put out a record we’re pretty much on tour non-stop, so in that regard, it’s difficultto write on the road – not impossible, but it’s difficult.”Check out the interview with the guys, who will be on the road across Australia, including someregional locations, as of March 2.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

9 Feb 202332min

Making Your World Tremor With ERIN EDDY From SPACEGOAT

Making Your World Tremor With ERIN EDDY From SPACEGOAT

Interview by Simon Russell-WhiteYou know those songs that just stick to your ear drums like a top rated super clue? Now, let's be honest this can have a negative effect especially when it's a tune/ song that simply frustrates you and is a song you don't even like ahhhhh f*****k......but, the science of music and the tempo just makes some stick hey?!!Fortunately for us, certain bands just instinctively know how to create the opposite effect for thelistener, which finally brings me to my (ranting) point. With their first release for 2023 Spacegoat have proven yet again that they're still here to further master their craft and do so with conviction and true blue hard work and wow, how it has paid off!New single and video clip 'Earthquakes' is almost on our intergalactic doorsteps (release date, February 8, 2023) so it was time to have another chat to the one and only Erin Eddy (Singer) about the single and all things Spacegoat and of course, a whole lot more......In the interview, it becomes very clear very quickly that I the interviewer/ reviewer really felt the pulse and musical pull of 'Earthquakes', you see I was privileged enough to be able to listen to it over and over and in my opinion this is up there with one of the bands best ever releases to date!That cannot be said lightly given the bands discography with their blistering debut ep '33' (2019) and of course the tremendous works that was 'Catharsis' (2021) both being of a standard that could/should see them playing anywhere across this Great Southern Land and abroad.But for now, it's about the single release, and I seriously hope you all enjoy 'Earthquakes' as much as I do, it has more hooks than a butcher shop and will pull at your heartstrings, but it wouldn't beSpacegoat if it didn't!Spacegoat will be launching 'Earthquakes' at this special show with Victoria K, link below:https://www.facebook.com/events/s/victoria-k-kore-australia-tour/502734345293053/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

7 Feb 202328min

Blurring The Boundaries With BJORN GELOTTE From IN FLAMES

Blurring The Boundaries With BJORN GELOTTE From IN FLAMES

Interview by Kris PetersSwedish purveyors of metal In Flames are counting down to the release of their new album Foregone on February 10. It is an album that the band themselves promise to be heavy and aggressive and one which will nestle comfortably amongst a back catalogue featuring 13 other releases.Known for their musical diversity while remaining true to their death metal roots, In Flames continue to create music by their own parameters and constraints, a recurring theme given more credence on Foregone.This is the second album for new bass player Bryce Paul and drummer Tanner Wayne, both of which, as guitarist Bjorn Gelotte explains in the interview, have settled in more comfortably to their roles.In Flames are also readying themselves for a visit to Australia in March as part of Knotfest Australia, which sees Gelotte in a chirpy mood when we spoke with him earlier this week."It feels really, really good," he enthused when asked how he is feeling about the imminent release of Foregone. "It is an album we didn't plan on making. We were still touring on I, The Mask so it was just a happy little bonus that we... I wouldn't say happy because the whole pandemic thing happened, but throughout that I felt absolutely useless and this is the light at the end of the tunnel making this record. If there was anything positive coming out of it from our part it's this album."As mentioned In Flames are renowned for their musical diversity between albums, with Gelotte admitting as much when pressed on the direction of Foregone."I think we have, over the years, found our way of writing," he measured, "and our sources of inspiration have been pretty much the same. It's what we listened to growing up and what we learned throughout the years making all these albums and playing all these shows. We're pretty confident when it comes to writing. What we did want to do this time was expand the sound a bit and make it sound a bit more metal than we have the last couple of efforts. We've been super proud of every one - I especially love how I, The Mask sounds. I'm a guitar player, so for me it's fantastic o hear all the detail in the guitar playing (laughs), but it's leaning a little more to the rock sound so this time around we wanted to have it more metal. Maybe a bit more death metal in a way, and I think it sheds a new light on the riffing and the melodies. I think it suits the songs extremely well and it turned out to be a massive album and we love it."In the full interview Bjorn discusses the album in greater detail, the singles released and how they represent the overall sound, writing and releasing the title track in two parts, the new members and how they are settling in, musical experimentation and where to draw the line, his writing relationship with Anders, how the sonic direction of each album is measured, touring plans and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

6 Feb 202315min

The Art Of Deception With MICHAEL AMOTT From ARCH ENEMY

The Art Of Deception With MICHAEL AMOTT From ARCH ENEMY

Interview by Kris PetersSwedish metal masters Arch Enemy are a rare, true enigma of the heavy metal landscape.With a sound impossible to pigeon hole and a live performance that is pure aggression, adrenaline, and intensity throughout, Arch Enemy have become the heavy band that knows no boundaries and transcends all musical genres.Following the release of last years brutal yet melodic album Deceivers, Arch Enemy are set to bring their live show to our corner of the globe this month with a string of shows starting in Auckland on February 12 before hitting Australia for five more dates.Their last tour here before the pandemic saw Arch Enemy play to sold out crowds around the nation, with their performance heralded by many critics as amongst the finest metal shows ever seen in this country.Guitarist Michael Amott joined HEAVY recently to chat about the tour, with one of the topics of discussion centering around structuring the set lists and if preference is placed on the three albums with current singer Alissa White-Gluz appearing on."She was a big fan of Arch Enemy before," he answered. "She loves singing the old stuff, actually. Already when she joined the band I remember the first rehearsal - even before she joined the band, we were just rehearsing and jamming - and she sung what were not her songs at that time without a lyric sheet or anything. We just played a whole bunch of songs. That was a seamless transition as well. She really loves singing the old stuff and we enjoy playing the old stuff as well. The thing that has happened with Arch Enemy that is really interesting over the last 8 or 9 years is the band has grown so much and the last three albums are our most popular that we've ever had. The audience reaction is always huge for those newer era songs, so it's difficult to not play them (laughs). It's always what the people want to hear." In the full interview, Michael talks more about the tour and what to expect, what has changed with Arch Enemy since their last visit in 2018, their new album Deceivers, how Alissa is improving in her role as vocalist with each release, the early days of Arch Enemy, changing vocalists from Johan Liiva to Angela Gossow in 2000, whether it was always his intent to bring in a female singer, how that affected the dynamics of the music, the transition from Angela to Alissa in 2014, surviving multiple vocalist changes and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

6 Feb 202321min

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