Thomas Hardy's Poetry (Archive Episode)

Melvyn Bragg and guests discuss the role history and heritage have played in the formation of the British national identity. Historians have often maintained a guarded relationship with the so-called ¨heritage industry¨, believing that it presents a distorted version of national life: a Merrie England that is politically acceptable and economically rewarding. History, in contrast, is held to reveal the truth about the past - objectively and scientifically. Our understanding of history changed since the 19th century and, as historians interpret our time and our society, so will our ideas of heritage and history.With David Cannadine, Director of the University of London's Institute of Historical Research; Miri Rubin, Professor of European History at Queen Mary, University of London; Peter Mandler, Fellow in History, Gonville and Caius College, Cambridge.

18 Juli 200241min

Melvyn Bragg and guests discuss the impact of politics on psychoanalysis. The 20th century saw the birth and rise of psychoanalysis. Sigmund Freud led people to think about how the mind functioned and how our behaviour might be understood through the process of working with a psychoanalyst, either one-to-one or in a group. Freud thought a lot about this process and in 1922 he published Group Psychology and the Analysis of the Ego, in which he pronounced that the group "wants to be ruled and oppressed and to fear its masters." He was writing at a time when ideas about rules and oppression were much discussed because the 20th century was also a century of fascism, totalitarianism and dictatorship. Freud died in 1939, just as a wave of despotism was sweeping across Europe. To what extent does psychoanalysis function by the rules of a dictatorship and to what extent does it function like a democracy? Is there a part of us that craves dictatorship and, if so, why? Is there a war going on in our own minds between ideas that we allow in to our consciousness and other ideas that we repress? With Adam Phillips, general editor of the new Penguin translations of Freud; Sally Alexander, Professor of History, Goldsmiths College, University of London; Malcolm Bowie, Marshal Foch Professor of French Literature and Fellow, All Souls College, Oxford.

11 Juli 200228min

Melvyn Bragg considers what it is to be free and how freedom became such a powerful value. Freedom has been a subject of enquiry for philosophers, theologians and politicians who have attempted to define the conditions required for humans to be free, not just in their minds but in the wider world. Some have argued that man is naturally free and no laws should confine his liberty. Others have countered that laws are the only way to preserve freedom; they protect us from the slavery of the abyss. The very idea of freedom is riddled with constraints, limitations and qualifications, yet it is seen by many as the most basic of human rights and for some as a principle worth fighting and dying for. With John Keane, Professor of Politics, University of Westminster; Bernard Williams, Professor of Philosophy, University of California; Annabel Brett, Lecturer in History, University of Cambridge.

4 Juli 200228min

Melvyn Bragg and guests discuss how a dominant power can exert a cultural influence on its empire. An empire rests on many things: powerful armies, good administration and strong leadership, but perhaps its greatest weapon lies in the domain of culture. Culture governs every aspect of our lives: our dress sense and manners, our art and architecture, our education, law and philosophy. To govern culture, it seems, is to govern the world. But what is cultural imperialism? Can it be distinguished from cultural influence? Does it really change the way we think and should we try to prevent it even if it does?With Linda Colley, School Professor of History, London School of Economics; Phillip Dodd, Director, Institute of Contemporary Arts; Mary Beard, Reader in Classics, Cambridge University.

27 Juni 200227min

Melvyn Bragg and guests discuss Richard Wagner who, perhaps more than any other composer, would seem to capture the greatest triumphs and most terrifying excesses of the German spirit. He lived as modern Germany was being born and his republicanism led to exile and nearly execution. He was a mentor of Nietzsche and a disciple of Schopenhauer and changed the face of opera perhaps more than any other single person. Wagner conducted several orchestras and numerous affairs, suffered poverty and rejection but was finally showered with wealth by King Ludwig II. When the Nazis played his music in the death camps was it a fitting tribute to a gross anti-Semite or a travesty for a man who believed in redemption through love and social equality? We ask to what extent can Wagner be typified as demonstrating the German spirit and what were his views on the function of art? With John Deathridge, King Edward the Seventh Professor of Music, Kings College London; Lucy Beckett, Author of Richard Wagner: Parsifal; Michael Tanner, Philosopher and author of Wagner and Nietzsche.

20 Juni 200228min

Melvyn Bragg and guests discuss the myths and harsh reality of the 19th century American pioneers. In 1845 the editor of The New York Morning News wrote that it was the "manifest destiny" of the United States "to overspread and to posses the whole of the continent which providence has given us for the development of the great experiment of liberty and federated self-government entrusted to us." With such phrases ringing in their ears the pioneering wagon trains rolled west into the uncharted wilderness of the American continent. Thus began the wagon trails that cut a path beyond the frontier to California and Oregon, a path soon to be followed by gold prospectors, entrepreneurs, cowboys and finally the US army itself. But what propelled them all to go? Was it an "experiment of liberty", or the promise of a better life? Does the story of the frontier help us to understand the American psyche and do our ideas about the American West owe more to the mythology of John Wayne movies than to the history of the real trailblazers? With Frank McLynn, Visiting Professor in the Department of Literature, University of Strathclyde; Jenni Calder, Author of There Must Be a Lone Ranger: The myth and reality of the American Wild West; Christopher Frayling, Rector of the Royal College of Art.

13 Juni 200227min

Melvyn Bragg and guests discuss the Soul. In his poem ‘Sailing to Byzantium’ WB Yeats wrote:An aged man is but a paltry thing, A tattered coat upon a stick, unlessSoul clap its hands and sing, and louder singFor every tatter in its mortal dress. For Plato it was the immortal seat of reason, for Aristotle it could be found in plants and animals and was the essence of every being - but it died when the body died. For some it is the fount of creativity, for others the spark of God in man. What is the soul made of and where does it live? Is it the key to our individuality as humans? And when we die will our souls find paradise or purgatory, rebirth, resurrection or simply annihilation? With Richard Sorabji, Gresham Professor of Rhetoric at Gresham College; Ruth Padel, poet and author; Martin Palmer, Theologian and Director of the International Consultancy on Religion, Education and Culture.

6 Juni 200228min

Melvyn Bragg and guests discuss the origins and cultural impact of 18th century tourism. Samuel Johnson observed in 1776 that "A man who has not been in Italy, is always conscious of an inferiority, from his not having seen what it is expected a man should see." Johnson was referring, perhaps ironically, to the vogue for The Grand Tour, which reached its peak in the 18th century. The idea was for wealthy young travellers to finish their education with an extensive trip to Europe to experience its natural beauties, its cultural treasures and, if they were lucky, its sexual permissiveness. The standard route took in Paris and The Alps and some tourists, including Byron, made it as far as Greece. But the destination, par excellence, was Italy, with its Renaissance glories and classical splendours. What drove this desire for travel? Was it genuine cultural curiosity or simply the fashion? What impact did the Grand Tour have on British attitudes to art and culture? And were diplomatic relations between Britain and Europe helped or hindered by these travels? With Chloe Chard, Literary historian; Jeremy Black, Professor of History, University of Exeter, Edward Chaney, Professor of Fine and Decorative Arts, Southampton Institute.

30 Maj 200228min