IFH 381: How to Shoot in an Impossible Location with Peter Bishai

IFH 381: How to Shoot in an Impossible Location with Peter Bishai

What if you were given permission to shoot most of your film in one of the busiest and iconic streets in the world, Times Square. Well, today's guest did just that. He shot most of his new film Rapid Eye Movement.

Peter Bishai wrote and directed the epic true-life saga Colors of Heaven (aka A Million Colours). It is the winner of two South African Academy Awards, Best Foreign Film at the WorldFest Houston Film Festival and was the Opening Night Gala film at the Hollywood Black Film Festival. He also directed the comedy-adventure The Dueling Accountant, which won Best Comedy Film at the Philadelphia Independent Film Festival and Best First Feature at the Long Island International Film Expo.

It is profiled in the book Fervid Filmmaking: 66 Cult Pictures of Vision, Verve and No Self-Restraint. His newest film is the psychological thriller Rapid Eye Movement. He lives in New York City.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Episoder(984)

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IFH 832: The Filmmaker Who Refused to Tap Out: The Making of Heel Kick! with Danny Mac

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IFH 830: How Two Filmmakers Captured the Ultimate Rocky Fan Story with Jim Toscano & Danny Gianino

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Franco Sama, a veteran executive producer, reveals the hard truths and practical steps behind raising real money for independent films. He explains that while many filmmakers obsess over finding inves...

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IFH 829: The Secret to Marketing Your Movie Like a Pro with Brad Wilke

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18 Nov 20251h 27min

IFH 828: The Ultimate Life of Action: Martial Arts, Movies, and Wisdom with Leo Fong

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IFH 827: Turning a Script into a Movie: The Indie Filmmaking Story of Jamie Buckner

IFH 827: Turning a Script into a Movie: The Indie Filmmaking Story of Jamie Buckner

Jamie Buckner’s filmmaking journey is one built on passion, persistence, and pure creative drive. After exploring careers in music, architecture, and art, he realized filmmaking combined everything he...

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