IFH 660: What Talent Agencies Look for in a Screenplay with Christopher Lockhart

IFH 660: What Talent Agencies Look for in a Screenplay with Christopher Lockhart

Today on the show we have award-winning producer, film executive, educator, and industry story analyst Christopher Lockhart. Christopher is renowned for his script editing acumen. He has read over 60,000 screenplays. He is also an award-winning filmmaker and member of the WGA, PGA, and the Television Academy.Chris got his start at International Creative Management (ICM), where he worked as script consultant to legendary talent agent Ed Limato, who represented industry giants such as Mel Gibson, Richard Gere, Michelle Pfeiffer, Liam Neeson, and Robert Downey, Jr.

He later moved to the venerable William Morris Agency, which merged with Endeavor to form WME. At WME Chris has worked on award-winning projects for A-list clients like Denzel Washington, Russel Crowe, and Rachel McAdams among others.

Chris branched off into film producing with the cult horror hit The Collector and its sequel The Collection, which opened in the top ten American box-office. He wrote and produced the award winning documentary Most Valuable Players, which was acquired by Oprah Winfrey for her network. Chris has set up several other projects, including A Rhinestone Alibi at Paramount, and Crooked Creek, a modern noir thriller.

As an educator, Lockhart shares his talent and 30+ years of industry experience as an adjunct professor at Screenwriting program and at UCLA.His writing workshop The Inside Pitch was filmed for Los Angeles television and earned him an Emmy Award nomination.Chris and I also teamed up for a new webinar from IFH Academy called How to Become a Hollywood Script Reader from Industry Insiders HOW TO BE A HOLLYWOOD READER is a webinar focusing on the secrets of one of Hollywood’s most vital and mysterious jobs.

A reader evaluates screenplays and stories, practicing quality control through “coverage” – a written report that judges creative success. The reader wields huge influence that empowers Hollywood chiefs to greenlight film, television, and new media. This webinar examines the core components of coverage, how to write it, and provides tools and pro tips to navigate the reading profession – led by two preeminent Hollywood readers. By pulling back the curtain on this creative process, the webinar also gives writers, directors, actors, and producers a rare look inside the mind of those who decide the fate of their material.

Chris prioritizes emotionality and his client's character role and development ahead of the overall story solidity. He shared some tips for new writers, some lessons learned from bad scripts, what goes on behind the agency curtain and the blessing of untapping a story's best version from re-writes.

Enjoy my conversation with Christopher Lockhart.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Episoder(994)

IFH 745: Screenwriting & Hollywood in the Times of COVID with Greg Gertmenian

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IFH 744: The Screenwriter's Guide to Video Game Writing with Robert Denton Bryant

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I always wondered how someone would get into the video game writing business. Today's guest is screenwriter/game development guru Robert Denton Bryant and he answers that question and so much more.Rob...

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IFH 742: Writing a Screenplay from the Inside Out with Brian Herskowitz

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Today's guest is screenwriter Brian Herskowitz. He wrote the book called Process to Product: From Concept to Script: A Practical Guide for the Screenwriter. Like millions before him, Brian Herskowitz ...

19 Mar 20241h 14min

IFH 741: How to Break into Television Writing with Steven Vitolo

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Have you ever wondered what it takes to break into a network television writer's room? Then this episode is for you. Today's guest is Steven Vitolo and he did just that. His latest written episode is ...

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IFH 740: Screenwriting Rules You Need to Learn Then Break with Julian Hoxter

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You should all know this by now. I love bringing on different perspectives on the craft because you never know what might click for someone. At the end of the day, we are all trying to tell a and comp...

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IFH 739: Horror Screenwriting - The Nature of Fear with Devin Watson

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I was glad to take a deep dive into the deep end of horror screenwriting with writer and producer, Devin Watson, notably known for writing and producing The Cursed (2010) which was the first draft he ...

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IFH 738: Inside Warner Bros Writing Program with Rebecca Windsor

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