BPS 309: How I Sold My Project to Netflix with Ferdinando Cito Filomarino

BPS 309: How I Sold My Project to Netflix with Ferdinando Cito Filomarino

How do you sell a movie to Netflix, this episode will give you a bit of insight. We're getting deep into the weeds on Italian director and screenwriter, Ferdinando Cito Filomarino American cinema debut film, Beckett, which I absolutely enjoyed! Beckett stars the incomparable John David Washington and Swedish actress, Alicia Vikander. This action thriller follows an American tourist (Beckett) who had been in a tragic car accident in Greece and suddenly finds himself at the center of a dangerous political conspiracy and on the run for his life. He sets to reach the USA embassy to clear his name. Elements of romance and questions of political power are rolled up into a 90-minute manhunt.

Beckett's world premiere was at the Aug 2021 74th Locarno Film Festival and is now distributed exclusively on Netflix.Filomarino talks about the cultural diversity on set - having seven languages spoken. I assume that would include, English, Italian, Greek, Swedish, etc. I was fascinated by the film’s meticulously crafted visual elements and screenplay. Filomarino’s work may be new to American screens, but he’s gained notoriety in European cinema directing or writing on films like The Other Man, Academy award-winning 2017, coming-of-age romantic drama, Call Me by Your Name (Second Unit Director).

The story sets in a 1980s rural Northern Italy --- romance blossoms between a seventeen-year-old Jewish Italian, Elio, and a 24-year-old research assistant, Oliver, who’s living with the family over the summer to help Elio’s father, archaeology professor with his academic paperwork. Call Me By Your Name.

Filomarino shadowed Call Me By Your Name's director, Luca Guadagnino while working the second unit on the film and forge a good professional relationship which led to a collaboration in 2010. He was fortunate to have Luca produce his directorial debut, Diarchy in 2010. Diarchy is a Locarno and Sundance Film Festival award-winning short film. Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.We also chatted about Richard Eyre's, The Other Man, fresh out of university, and how that experience prepared him for his own films. We know that experience is the best teacher, so I am always down for hearing knowledge bombs filmmakers learn from other filmmakers in this line of business. Sort of like an unofficial masterclass.

Go watch Beckett! But first, enjoy my conversation with Ferdinando Cito Filomarino.

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Episoder(564)

BPS 365: Making Money & Cracking the Amazon Code for Self Distribution with Ismael Gomez

BPS 365: Making Money & Cracking the Amazon Code for Self Distribution with Ismael Gomez

Today on the show we have a filmmaker that was able to crack the Amazon code and actually make money self-distributing his low-budget film on the platform. His name is Ismael Gomez.Ismael Gomez is a C...

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BPS 364: Producing Terrance Malik & Build a Mammoth Empire with Tanner Beard

BPS 364: Producing Terrance Malik & Build a Mammoth Empire with Tanner Beard

Today on the show we have renaissance filmmaker Tanner Beard. I Had the pleasure of meeting him at the Mammoth Film Festival this year. His adventures in Hollywood are pretty amazing.Tanner Beard is a...

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BPS 363: Editing for Directors with Gael Chandler

BPS 363: Editing for Directors with Gael Chandler

Television editor and author Gael Chandler is on the hot mic today. Most of you may know by now that I started out in post as an editor. Anytime I have another editor on it’s like sailors recalling ol...

18 Apr 202454min

BPS 362: How Indie Films Can Use The Mandalorian Virtual Production Tech with Rene Amador

BPS 362: How Indie Films Can Use The Mandalorian Virtual Production Tech with Rene Amador

What if indie filmmakers could access the same virtual production systems used on the hit Disney+ show The Mandalorian? What if you could use that same technology at home for your productions? What if...

11 Apr 20241h 20min

BPS 361: How to Squeeze Money Out of Your Indie Film with Patrick Solomon

BPS 361: How to Squeeze Money Out of Your Indie Film with Patrick Solomon

Today on the show we have filmmaker and Filmtrepreneur Patrick Solomon. Patrick is the mastermind behind the celebrated film Finding Joe.Finding Joe is an exploration of famed Mythologist Joseph Campb...

4 Apr 202457min

BPS 360: Making and Selling a Niche Indie Film with Rob Smat

BPS 360: Making and Selling a Niche Indie Film with Rob Smat

Today on the show we have writer/director Rob Smat. His niche film is THE LAST WHISTLE. It is a Football Drama with a budget 125K, the crew was almost entirely film students, shot in 13 days in Texas,...

28 Mar 20241h 16min

BPS 359: When Hip-Hop, Skateboarding and Filmmaking Collide with Jeremy Elkin

BPS 359: When Hip-Hop, Skateboarding and Filmmaking Collide with Jeremy Elkin

In today’s episode, we take you back to the late 90s and early 80s hip-hop and skateboarding culture in New York City with director Jeremy Elkin’s new documentary, ‘All The Streets Are Silent: The Con...

21 Mar 202428min

BPS 358: Inside the Multi-Window Distribution Model with Simon Swart

BPS 358: Inside the Multi-Window Distribution Model with Simon Swart

Today on the show we have Simon Swart. Swart has diverse experience in all areas of film production and distribution by virtue of his 30+ years as a leading studio executive at Warner Brothers, The Wa...

14 Mar 20241h 10min

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