New Books in Critical Theory

In his new book, The Smell of Slavery: Olfactory Racism and the Atlantic World (Cambridge University Press, 2020), Dr. Andrew Kettler charts the impact that smell had on the making of race and justifications for enslavement in the Atlantic world. Western European defined the African subject as a scented object, appropriated as filthy to create levels of ownership through discourse that marked African peoples as unable to access spaces of Western modernity. So powerful was this process of embodied cultural knowledge and racial othering that the very European biological function of smell altered in the early modern period. While the first half of the book details this dialectical materialism from a European perspective, the second half speaks to the real consciousness and function that the sense of smell had in communities of African descent. Smell became a powerful tool for many enslaved peoples and racialized “others” to assert their agency, individualism, power, and perform everyday acts of resistance. Deeply researched and theorized, The Smell of Slavery offers modern readers a deeper historical understanding of the unconscious development of their senses and the powerful legacy that such embodied cultural knowledge and olfactory racism still has on Atlantic societies. Dr. Andrew Kettler is an Ahmason-Getty Fellow for the University of California, Los Angeles Center for 17th and 18th-Century Studies at the William Andrews Clark Memorial Library. R. Grant Kleiser is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic word. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

27 Jul 202053min

Justin Gomer is the author of White Balance: How Hollywood Shaped Colorblind Ideology and Undermined Civil Rights, published by the University of North Carolina Press in 2020. White Balance explores the connection between politics and film from the 1970s to the 1990s. Gomer illustrates the myriad of ways that Hollywood relied on and helped solidify an emerging ideology of colorblindness in the wake of the civil rights movement. From films like Dirty Harry to Rocky, Gomer is able to show just how much politics and film are intertwined during this period and held to reinforce each other in order to gradually chip away at the gains made during the Civil Rights Movement. Justin Gomer is an Assistant Professor of American Studies at the California State University-Long Beach. Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

24 Jul 20201h 9min

In Karl Kraus and The Discourse of Modernity (Northwestern University Press, 2020), Ari Linden analyzes Karl Kraus’s oeuvre while engaging in the conversation about modernism and modernity, which is shaped and conditioned by the already post-postmodern condition. This perspective opens up the exploration of modernist projects and allows a discussion that goes beyond a specific time-period and invites us to locate the conversation about Kraus, as well as about the modernist discourse, in the context of the present moment. In his book, Linden outlines the most salient features of Kraus’s writing and establishes an ethic and aesthetic matrix to explore the variations and renditions that the modernist projects may promote and welcome. The book specifies Kraus’s aesthetic engagement with satire, as well as with the exploration of the language limitations (if any) and with intellectual conversations, which serve as responses to political and historical events. The latter makes Linden’s project particularly relevant and up-to-date for the contemporary moment: Kraus’s oeuvre helps further disclose how writing can be engaged as a key instrument not only for the construction of the individual’s perception of the self and others, but also for the construction of ideological paradigms, encapsulating power and control on both individual and public levels. Karl Kraus and The Discourse of Modernity brings modernity and modernism to the forefront of the post-postmodernist concerns and offers an insightful perspective on how a writer responds to history and politics while interrupting the discourse with their aesthetic renditions. Ari Linden is an assistant professor in the Department of German Studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

24 Jul 202053min

In Hacking Diversity: The Politics of inclusion in Open Technology Cultures (Princeton University Press, 2020), Christina-Dunbar Hester, an associate professor in the USC Annenberg School for Communication and Journalism, explores the world of open technology – communities centered on knowledge sharing. In particular, she investigates how these communities are considering the question of diversity and inclusion. Using ethnographic methods – interviews, participant observation, and deep readings of texts – Dunbar-Hester shows how the problem-solving ethos of open tech does not quite meet the challenge of structural social problems. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

20 Jul 202034min

Working-through Collective Wounds: Trauma, Denial, Recognition in the Brazilian Uprising (Palgrave Macmillan, 2018) formulates a theory of collective trauma, drawing on the work of Sándor Ferenczi. Dr. Soreanu takes Ferenczi into the public square to answer a series of questions. What does it mean to understand the operation of the confusions of tongues at the social level? What are the consequences of imagining the social as an encounter between different registers? And how did we come to postulate the importance, among all social registers, of the tension between the register of recognition and the register of redistribution? Applying Ferenczian theory to these “interrogations” Soreanu utilizes psychosocial vignettes to make a series of arguments. “Akin to clinical vignettes, their aim is to capture a movement of the libido, or the expression of a symptom, or the resolution of a symptom, or a particular kind of regression, or a kind of dreaming-up that puts some symbols in relation to others.” In addition to working with established meta-psychologies, Soreanu adds “the pleasure of analogy” to Ferenczi’s emergent ‘vocabulary of pleasure’. This new “doubly relational” pleasure takes us away from the Freudian “insistence on processes of identification” and demonstrates that our epistemologies are “libidinised affairs: they have an erotics.” At the end of the book, Soreanu answers two questions: What returns to psychoanalysis, after taking Ferenczi to the streets and to the squares, alongside crowds in protest? What returns to social theory, after we have taken Ferenczi to the streets? Working-through Collective Wounds is part of a series, Studies in the Psychosocial “distinguished by its emphasis on affect, the irrational and unconscious processes, often, but not necessarily, understood psychoanalytically.” Raluca Soreanu is Reader in Psychoanalytic Studies and Director of Research of the Department of Psychosocial and Psychoanalytic Studies at the University of Essex. Christopher Russell is a psychoanalyst in Chelsea Manhattan and can be reached at (212) 260-8115 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

20 Jul 20201h 9min

Undocumented youth activists are at the forefront of the present-day immigrant rights movement. This is especially true surrounding the activism of the recent SCOTUS decision on DACA issued on June 18, 2020. Professor Kevin Escudero’s book, Organizing While Undocumented: Immigrant Youth’s Political Activism Under the Law (New York University Press, 2020), depicts just how undocumented immigrant youth have utilized their identities for political action between 2010-2019. By developing what he calls the “Identity Mobilization Model,” Escudero studies the intersectional collective identity formation of undocumented immigrant communities by focusing on how micro-level processes interact with macro-level legal structures.   Escudero uses intimate narrative accounts of individual experiences, community gatherings, and organizer meetings to show how undocumented immigrant youth activists emphasized the heterogeneity of the movement while also forming coalitions with other movements. Escudero drew on ethnographic participant observation and fifty-one in-depth interviews with undocumented youth activists in San Francisco, Chicago, and New York. The book covers three subgroups within the immigrant rights movement: undocumented Asian activists, undocumented queer activists, and formerly undocumented activists. Each chapter focuses on one of the three subgroups and details how the subgroup shared community knowledge, how they leveraged their intersectional movement identity, and what he observed as high-stakes allyship.   Organizing While Undocumented shows how undocumented immigrants “have organized powerful countermobilizations to resist the stigma of illegality”. Further, Escudero carefully describes how undocumented youth form an oppositional consciousness informed by articulations of nuanced historical narratives and their participation in the immigrant rights movement. Overall, Organizing While Undocumented is in direct conversation with academic discussions of migrant illegality, social movement activism, and intersectionality. This book should be read by scholars interested in those fields as well as activists and allies of the immigrant rights movement.    Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. Their research focuses on the rise of federally-funded encampments (i.e., the concentration of populations) from the advent of the New Deal until post-WWII era. Their dissertation, “The Age of Encampment: Race, Surveillance, and the Power of Spatial Scripts, 1933-1950” reveals underlying continuities between the presence of threatening bodies and the increasing surveillance of these bodies in camps throughout the United States. Jonathan is currently a Ford Predoctoral Fellow as well as a curatorial assistant at the Smithsonian National Museum of American History. You can follow Jonathan on Twitter @joncortz and on their personal website www.historiancortez.com  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

20 Jul 20201h 10min

The courageous and inspiring personal narratives and empirical studies in Presumed Incompetent II: Race, Class, Power, and Resistance of Women in Academia (Utah State University Press, 2019) name formidable obstacles and systemic biases that all women faculty—from diverse intersectional and transnational identities and from tenure track, terminal contract, and administrative positions—encounter in their higher education careers. Edited by Yolanda Flores Niemann, Gabriella Gutiérrez y Muhs, and Carmen G. González, the book provides practical, specific, and insightful guidance to fight back, prevail, and thrive in challenging work environments. This new volume comes at a crucial historical moment as the United States grapples with a resurgence of white supremacy and misogyny at the forefront of our social and political dialogues that continue to permeate the academic world. Today I talked to two of the editors: Yolanda Flores Niemann (PhD, Psychology, University of Houston, 1992), a professor of psychology at the University of North Texas and Gabriella Gutiérrez y Muhs (MA and PhD Stanford University, 2000), a professor of modern languages and women studies at Seattle University. Dr. Christina Gessler’s background is in anthropology, women’s history, and literature. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

16 Jul 20201h 21min

Although successive generations of the Frankfurt School have attempted to adapt Critical Theory to new circumstances, the work done by its founding members continues in the twenty-first century to unsettle conventional wisdom about culture, society and politics. Exploring unexamined episodes in the school’s history and reading its work in unexpected ways, Splinters in Your Eye: Frankfurt School Provocations (Verso, 2020) provides ample evidence of the abiding relevance of Horkheimer, Adorno, Benjamin, Marcuse, Löwenthal, and Kracauer in our troubled times. Without forcing a unified argument, these collected essays by Martin Jay range over a wide variety of topics, from the uncertain founding of the School to its mixed reception of psychoanalysis, from Benjamin’s ruminations on stamp collecting to the ironies in the reception of Marcuse’s One-Dimensional Man, from Löwenthal’s role in Weimar’s Jewish Renaissance to Horkheimer’s involvement in the writing of the first history of the Frankfurt School. Of special note are their responses to visual issues such as the emancipation of colour in modern art, the Jewish prohibition on images, the relationship between cinema and the public sphere, and the implications of a celebrated Family of Man photographic exhibition. The collection ends with an essay tracing the still metastasizing demonization of the Frankfurt School by the so-called Alt Right as the source of “cultural Marxism” and “political correctness,” which has gained alarming international resonance and led to violence by radical right-wing fanatics. Ryan Tripp is currently an adjunct in History for community colleges and universities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

15 Jul 20201h 29min