New Books in Critical Theory

"Although small, this book goes against the grain of the current trend for brief soundbites that allow us to pass swiftly over painful information. It will go into the details of some extremely dark occurrences, not to glorify cruelties, but in order to understand them, as well to give thought to the individuals who suffered them. In turn, this will provide the reader with greater access to things residing in the unconscious." In Dark Times: Psychoanalytic Perspectives on Politics, History and Mourning (Phoenix Publishing House, 2018), Dr Jonathan Sklar presents us with a book of unsettling stories about the heinous crimes of Nazi Germany, the brutal attacks perpetrated by ISIS and the continued racist structure of the very fabric of US politics and discourse, just to name a few. Some of these stories are difficult to take in: The visceral descriptions can only be read in a psychosomatic sense. The strength of psychoanalytic thinking about political and historical violence lies in how close we get to the object of study. In the consulting room we cannot help to feel with the analysand. The histories and phantasies of violence leave an impression. The book argues to face history and reality in order to reckon with the marks that collective violence has left and continues to leave on the individual psyche. This is no random endeavour : A greater conscious awareness of the dark times we have lived through and of the racist, anti-semitic, familicidal characters within us, we get a chance to mourn all that was lost in and around us - a chance to hopefully at times break the cycle of endless repetition. In between this psychoanalytically informed reading of history, politics and their relation to the individual psyche, Sklar leaves room for applying the analysis of the histories of trauma and mourning to groups like psychoanalytic societies and institutes. Here especially, the close examination of obstacles to recognition of the Other, rooted in deeply unconscious phantasy, bears fruit. One way out might be offered through the practice of listening « contrapuntally » - a way of listening in which the barrier to recognition is actively faced, confronted and worked through. Dr Jonathan Sklar, MBBS, FRCPsych is a training and supervising psychoanalyst of the British Psychoanalytical Society. Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

14 Jul 202053min

Engaging with almost any Western philosopher of the last couple centuries means you are usually, whether you realize it or not, working in the shadow of Hegel, his work proving stubbornly resistant to attempts to remove from contemporary thought. This has itself proven to be a source of much debate and conflict, as Hegel is notoriously difficult to decipher, leaving room for a huge variety of opinions on a variety of topics. Diving right into this is my guest today, Adrian Johnston, who is back to discuss the second volume of his trilogy, Prolegomena to Any Future Materialism Volume II: A Weak Nature Alone (Northwestern University Press, 2019). Where the first volume (which we discussed in a previous episode) was concerned with some major turns in French continental philosophy, this volume takes Hegel as its key point of reference. However, rather than simply functioning as a commentary on Hegel, the book acts as a sort of historical survey of various Hegelianisms that have been developed over the last couple centuries, touching on everything from Marxism to contemporary Anglo-American analytic philosophy, and everything else in between. The result is a book that simultaneously manages to cover a huge swath of intellectual territory while also maintaining a very tight focus throughout, all in search of a thoroughly materialist theory of subjectivity.  Adrian Johnston is a Distinguished Professor in and Chair of the Department of Philosophy at the University of New Mexico and is a faculty member at the Emory Psychoanalytic Institute in Atlanta. His many books include Irrepressible Truth: On Lacan’s ‘The Freudian Thing’ and the forthcoming Infinite Greed: Money, Marxism, Psychoanalysis. He is also one of the coeditors of the Northwestern University Press book series Diaresis, of which this book is a contribution.  Stephen Dozeman is a freelance writer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

13 Jul 20201h 38min

When we talk about technology we always talk about the future—which makes it hard to figure out how to get there. In Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us about Digital Technology (Verso), Lizzie O’Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and social movements with modern theories of the mind, society, and self, O’Shea constructs a “usable past” that help us determine our digital future. What, she asks, can the Paris Commune tell us about earlier experiments in sharing resources—like the Internet—in common? Can debates over digital access be guided by Tom Paine’s theories of democratic economic redistribution? And how is Elon Musk not a visionary but a throwback to Victorian-era utopians? In engaging, sparkling prose, O’Shea shows us how very human our understanding of technology is, and what potential exists for struggle, for liberation, for art and poetry in our digital present. Future Histories is for all of us—makers, coders, hacktivists, Facebook-users, self-styled Luddites—who find ourselves in a brave new world. Lizzie O’Shea is a lawyer, writer, and broadcaster. She is a founder and the chair of Digital Rights Watch, which advocates for human rights online, is a special advisor to the National Justice Project, and also sits on the board of Blueprint for Free Speech and the Alliance for Gambling Reform. At the National Justice Project, she worked with lawyers, journalists and activists to establish a Copwatch program, for which she received a Davis Projects for Peace Prize. In June 2019, she was named a Human Rights Hero by Access Now. Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Her research intersects intellectual history, digital humanities and cultural heritage studies. She can be reached at aortolja-baird@britishmuseum.org Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

13 Jul 20201h 8min

This interview coincides with the 70th anniversary of the Korean War, a war that, as Baik reminds us, has not officially ended. How are the particularities of the Korean War, as an unended war, expressed in the lives of survivors and their descendants? This work explores how violence is narrated and framed in the lives and works of diasporic subjects, utilizing the concept of durational memory to attend to how the past prevails in the present. Reencounters: On the Korean War and Diasporic Memory Critique (Temple University Press, 2020) joins a growing list of Asian American and Korean American scholarship that interrogates the impact modern warfare has had on memory, trauma, and healing but does so by engaging with a variety of diasporic works such as oral histories, live performances, media installations, and monuments. Through a close reading of these aesthetic practices and the events surrounding them, Baik offers a new analytic, the process of reencounters, to account for the ways in which the Korean War has transformed the social lives of those within the Korean peninsula and without. Included in this discourse are the powerful works of transnational Korean adoptees and a reevaluation of the politics of Jeju Island, a contested space of colonialism, militarism, and sovereignty. Reencounters provides a new perspective not only on the aftermaths of war but on the diverse states of being that form our understanding of diaspora and diasporic memory. Crystal Mun-hye Baik is an Assistant Professor in the Department of Gender & Sexuality Studies at the University of California, Riverside. Laura Ha Reizman is a PhD candidate in Asian Languages & Cultures at UCLA Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

10 Jul 20201h 19min

What is the place of classical music in contemporary society? In Composing Capital: Classical Music in the Neoliberal Era (University of Chicago Press, 2019), Marianna Ritchey, an assistant professor of music history at the University of Massachusetts, Amherst, explores the relationship between neoliberal capitalism and classical music, showing how many of the democratizing and innovative elements of the genre go hand-in-hand with corporate power. Using detailed social and musicological studies of key composers, movements, opera companies, and tech advertising, the book offers a critical but sympathetic analysis of the potential, but also the limits, of classical music. Accessibly written, blending critical theory with contemporary case studies the book will be essential reading across arts and social sciences, as well as for business and technology scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

8 Jul 202050min

In Terrorizing Gender: Transgender Visibility and the Surveillance Practices of the U.S. Security State, Mia Fischer traces how media and state actors collude in the violent disciplining of trans women, exposing the traps of visibility by illustrating that dominant representations of trans people as deceptive, deviant, and threatening are integral to justifying, normalizing, and reinforcing the state-sanctioned violence enacted against them. Bringing together transgender, queer, critical race, legal, surveillance, and media studies, Fisher analyzes the cases of Chelsea Manning, CeCe McDonald, and Monica Jones and shows how the heightened visibility of transgender people has actually occasioned a conservative backlash characterized by the increased surveillance of trans people by the security state. Terrorizing Gender concludes that the current moment of trans visibility constitutes a contingent cultural and national belonging, given the gendered and racialized violence that the state continues to enact against trans communities, particularly those of color.   Dr. Mia Fischer is an Assistant Professor in the Department of Communication at the University of Colorado Denver. Her research and teaching focuses on LGBTQ media representations and the ongoing struggles of LGBTQ communities to access civil rights. Her work has been published in several academic journals, including Feminist Media Studies, Communication, Culture & Critique, Sexualities, and Communication & Sport. She also co-leads the Denver Pen Pal Collaborative (DPPC), a collaborative prison-pen-pal project. Dr. Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

8 Jul 202053min

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

3 Jul 20201h 4min

No Platform: A History of Anti-Fascism, Universities and the Limits of Free Speech (Routledge, 2020) is the first to outline the history of the tactic of ‘no platforming’ at British universities since the 1970s, looking at more than four decades of student protest against racist and fascist figures on campus. The tactic of ‘no platforming’ has been used at British universities and colleges since the National Union of Students adopted the policy in the mid-1970s. The author traces the origins of the tactic from the militant anti-fascism of the 1930s–1940s and looks at how it has developed since the 1970s, being applied to various targets over the last 40 years, including sexists, homophobes, right-wing politicians and Islamic fundamentalists. This book provides a historical intervention in the current debates over the alleged free speech ‘crisis’ perceived to be plaguing universities in Britain, as well as North America and Australasia. No Platform: A History of Anti-Fascism, Universities and the Limits of Free Speech is for academics and students, as well as the general reader, interested in modern British history, politics and higher education. Readers interested in contemporary debates over freedom of speech and academic freedom will also have much to discover in this book. Evan Smith is a research fellow in history at the College of Humanities, Arts and Social Sciences at Flinders University in South Australia. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

2 Jul 20201h 10min