Mixing Music | Music Production, Audio Engineering, & Music Business26 Maj

The BEST Ways to Get Mixing Clients in 2026

In Episode 375 of the Mixing Music Podcast, Dee Kei and James break down a tier list for client acquisition in the music industry, inspired by a video from Panorama Mixing and Mastering. They discuss what actually works for getting mixing and production clients, what sounds good in theory but rarely converts, and why repeat clients and word of mouth still dominate almost everything else.

The conversation covers networking events, Instagram outreach, YouTube, educational content, spec mixes, referrals, local music scenes, label relationships, free work, websites, paid ads, and cold DMs. Along the way, Dee Kei and James share personal stories from their own careers, including what helped them grow, what failed completely, and how different strategies change depending on your city, pricing, and stage of career.

The bigger takeaway is that most successful audio careers are built less on “hacks” and more on trust, consistency, relationships, and staying active long enough for momentum to compound. This is a practical episode for mixers, producers, and engineers trying to figure out where to actually spend their time and energy.

SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!

⁠SUBSCRIBE TO YOUTUBE⁠

Join the ‘Mixing Music Podcast’ Discord!

HIRE DEE KEI

HIRE LU

⁠HIRE JAMES⁠

Find Dee Kei and Lu on Social Media:

Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixes

Twitter: @DeeKeiMixes @MasteredbyLu

The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠

The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.

This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy

Det här avsnittet är hämtat från ett öppet RSS-flöde och publiceras inte av Podme. Det kan innehålla reklam.

Avsnitt(450)

How to Build Real Relationships in the Music Industry — Without Networking

This one started with a DM. A listener named Solomon wrote in describing something almost every engineer has felt but rarely admits to: he'd worked intensely with an artist for a year, and the day the...

22 Sep 1h 12min

Building a 1176 Compressor From Scratch: What I Learned From the Hairball Audio DIY Kit

Dee Kei is building a compressor. Specifically, a 1176 Rev A blueface/silverface clone from Hairball Audio in Seattle — unsponsored, bought with his own money, and not yet finished at time of recordin...

15 Sep 48min

Are Audio Engineers Underpaid? What a Low Job Posting Reveals About Engineer Wages and Self-Worth

This episode almost didn't get released. Dee and Lu spent 20 to 30 minutes before recording debating whether to even touch this one. They went ahead — and it's one of the more honest, nuanced conversa...

8 Sep 1h 22min

What We Taught at the Mixing Masterclass: Pricing, Compression, LUFS, and the Value of a Mix Engineer

This episode is a recap — and an expansion — of the six-hour Mixing Masterclass that Dee Kei hosted live in his LA studio. Lu was in the room. The audience brought mixes. Things got real. Now Dee and ...

1 Sep 1h 3min

Is Analog Gear Making a Comeback? Plugin Fatigue, Hardware Resurgence, and the Future of the Studio

Fair warning: Dee Kei opens this one by saying he doesn't know if he's going to release it. Congratulations — you found it.This is a looser, more speculative episode than usual, and that's exactly the...

25 Aug 37min

Why Talented Engineers Say No to Opportunities — Imposter Syndrome, Thinking Fast and Slow, and Career Confidence

Lu brought the topic this week — and it's one of the most universally felt things in audio that nobody talks about directly: the feeling of not belonging in the room. Not because you don't have the sk...

18 Aug 1h 11min

Analog Plugins vs. Hardware: What Blind Tests Actually Show — And Why Engineers Still Buy Gear Anyway

This episode starts with a confession: Dee Kei wants a new compressor. Specifically, he's been eyeing the Heritage Audio Grandchild 670N — a $3,000 stereo Fairchild-style compressor in a 5U rack unit ...

11 Aug 1h

Ozone Assistant, Auto-Tune, Dynamic EQ — Have We Always Been Using AI? A Solo Deep Dive

Lu's on vacation. Dee Kei is alone with a page of talking points and one of the most contested topics in audio engineering right now — and the result is one of the most thoughtful solo episodes the sh...

4 Aug 41min