48. Being There (1979)

48. Being There (1979)

Middle-aged, simple-minded Chance lives in the townhouse of a wealthy old man in Washington, D.C.. He has spent his whole life tending the garden and has never left the property. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively tells the lawyers that he has no claim against the estate and is ordered to move out.

Chance wanders aimlessly, discovering the outside world for the first time. Passing by a TV shop, he sees himself captured by a camera in the shop window. Entranced, he steps backward off the sidewalk and is struck by a chauffeured car owned by elderly business mogul Ben Rand. In the car is Rand's much younger wife Eve, who mishears "Chance, the gardener" in reply to the question who he is, as "Chauncey Gardiner."

Eve brings Chance to their home to recover. He is wearing expensive tailored clothes from the 1920s and 1930s, which his benefactor had allowed him to take from the attic, and his manners are old-fashioned and courtly. When Ben Rand meets him, he takes "Chauncey" for an upper-class, highly-educated businessman who has fallen on hard times. Rand admires him, finding him direct, wise and insightful.

Rand is also a confidant and advisor to the President of the United States, whom he introduces to "Chauncey." In a discussion about the economy, Chance takes his cue from the words "stimulate growth" and talks about the changing seasons of the garden. The President misinterprets this as optimistic political advice and quotes “Chauncey Gardiner” in a speech. Chance now rises to national prominence, attends important dinners, develops a close connection with the Soviet ambassador, and appears on a television talk show during which his detailed advice about what a serious gardener should do is misunderstood as his opinion on what would be his presidential policy.

Though he has now risen to the top of Washington society, the Secret Service and some 16 other agencies are unable to find any background information on him. During this time Rand's physician, Dr. Allenby, becomes increasingly suspicious that Chance is not a wise political expert and that the mystery of his identity may have a more mundane explanation. Dr. Allenby considers telling Rand this, but realizing how happy Chance is making him in his final days keeps him silent.

The dying Rand encourages Eve to become close to "Chauncey." She is already attracted to him and makes a sexual advance. Chance has no interest in or knowledge of sex, but mimics a kissing scene from the 1968 film The Thomas Crown Affair, which happens to be showing on the TV. When the scene ends, Chauncey stops suddenly and Eve is confused. She asks what he likes, meaning sexually; he replies "I like to watch," meaning television. She is momentarily taken aback, but decides she is willing to masturbate for his voyeuristic pleasure, thereby not noticing that he has turned back to the TV and is now imitating a yoga exercise on a different channel.

Chance is present at Rand's death and shows genuine sadness at his passing. Questioned by Dr Allenby, he admits that he "loves Eve very much" and also that he is just a gardener. When he leaves to inform Eve of Ben's death, Allenby says to himself, "I understand," but interpretation of that is left to the viewer.

While the President delivers a speech at Rand's funeral, the pallbearers hold a whispered discussion over potential replacements for the President in the next term of office and unanimously agree on Chauncey Gardiner as successor. Oblivious to all this, Chance wanders off through Rand's wintry estate. He straightens out a pine sapling flattened by a fallen branch, then walks across the surface of a lake. He pauses, dips his umbrella deep into the water under his feet (confirming for the viewer that it is not just a skim of water on the ground), then continues on, while the President is heard quoting Rand: "Life is a state of mind."

Avsnitt(248)

163. 'To Live and Die in LA' (1985)

163. 'To Live and Die in LA' (1985)

Billy Friedkin, maybe the weirdest (in a good way) major American director of his generation, almost doesn't make sense on paper; wait...the same guy directed 'The French Connection' and 'The Excorcist'?  But the ups and downs of Friedkin's storied and somewhat haphazard career are what makes him one of the most interesting directors to consider. And 'To Live and Die in LA' is some kind of crazy masterpiece, punching WELL above its weight as a non-studio, non-union middling-budget (6 million dollars) independent LA neo-noir. Filled with superlative near-first-timers like John Turturro, William Petersen, John Pankow, Willem Dafoe and stellar supporting work from the likes of Steve James, Robert Downey, Sr,  Darlanne Fluegel, Dean Stockwell, Jack Hoar, and Debra Feuer, TLADILA is easily consumed as genre fare...or more diligently dissected as the incredible example of top-tier filmmaking and production design and location and stunt work that it also is. Needless to say that's where I'm taking my cues! Available now on a newly restored 4K UHD and blu-ray disc, TLADILA has frustratingly not been available to stream but my plea here is that you avail yourself of the physical media and set aside an evening to appreciate this great work of FUN and ART. Buy the new release here. Listen to Wang Chung's excellent TLADILA soundtrack here.

17 Aug 20231h 21min

162. 'Barbie' (2023)

162. 'Barbie' (2023)

A deep-dive into the semiotics of 'Barbie' and its post-feminist critique of corporate capitalism and American mores. Just kidding, I went and saw 'Barbie' with five 12-year-olds. Six, if you count me. But seriously, this episode unpacks some of the things I found interesting about the film, its very existence, its brilliant marketing and repositioning.  Also: supporting cast wins and losses, why the filmmakers missed a perfect opportunity to put the idiotic 'Barbie Girl' song to great use, and a plea for an Allan spinoff.

8 Aug 20231h 3min

161. The 'Godfather' Films W/ 'The Godfather Gang' author and 'The Offer' producer Ernest Lupinacci

161. The 'Godfather' Films W/ 'The Godfather Gang' author and 'The Offer' producer Ernest Lupinacci

I'm joined by legendary ad-man-turned brand-identity guru, author, screenwriter, and producer Ernest Lupinacci to talk all things 'The Godfather' and 'The Godfather, Part II' (with a sideways glance at 'The Godfather, Part III'), including our preferences, what II gained and lost in terms of casting and production, returning Mario Puzo to center stage credit for creating this universe of indelible characters. Follow my guest Ernest Lupinacci on Instagram. Check out Ernest and illustrator Alex Ogle's excellent graphic novel about the making of 'The Godfather', 'The Godfather Gang' here. Watch the Paramount+ scripted series that about the making of 'The Godfather' here.

1 Aug 20231h 41min

160. How to Listen to Dead & Company

160. How to Listen to Dead & Company

An episode about 40 years of fandom and learning to actively listen to music while being of an age that can appreciate the collective experience of Dead & Company's Final Tour for the singular happening it represents.

11 Juli 20231h 32min

159. 'Indiana Jones & The Dial of Destiny'

159. 'Indiana Jones & The Dial of Destiny'

I went and saw the new Indiana Jones movie at the Drive-In.

7 Juli 202351min

158. Film Scores I Have Loved Before

158. Film Scores I Have Loved Before

An email from a listener got me thinking about film scores that I actually listen to and love, so this episode shares a handful of classic and contemporary scores I think are worthy of special consideration. Scores referenced in this episode: Get Carter The Taking of Pelham 123 Dirty Harry Out Of Sight Ocean's 11 Ocean's 12 Ocean's 13 Taxi Driver Koyaanisqatsi American Beauty The Social Network Blade Runner Blade Runner 2049 Master & Commander: The Far Side of the World Chinatown Heat Moneyball Gomorrah

27 Juni 20231h 17min

157. 40 Glimpses of Paul Newman in 'The Verdict'

157. 40 Glimpses of Paul Newman in 'The Verdict'

This week's companion episode to my previous episode about Sidney Lumet's 'The Verdict' is for the craft purists, the Newman obsessives, and the acting completists out there. Much like I did with the amazing Sean Penn Spicoli scenes in my follow-up to the  'Fast Times at Ridgemont High' episode, here I'm going deep on Paul Newman's brilliant, career-best performance as Frank Galvin and discussing ALL of his key scenes in the film.

13 Juni 20231h 33min

156. Paul Newman in Sidney Lumet & David Mamet's 'The Verdict' (1982)

156. Paul Newman in Sidney Lumet & David Mamet's 'The Verdict' (1982)

One of my very favorite films and featuring one of Paul Newman's favorite performances, Sidney Lumet's 'The Verdict' has grown in stature and appreciation since its premiere in 1982.   With a brilliantly adapted screenplay by multi-hyphenate David Mamet, a tortured development process encompassing stars like Redford and other directors named Sidney (Pollack), and a first-rate cast, 'The Verdict' is one of the greatest courtroom dramas of all time. I'm thrilled to be joined once again by author and editor Keir Graff, who once again turns in an excellent appearance as a well-prepared guest on the pod.  We dive deep into the making of this film, play some iconic scenes, and discuss the nuances and joys of the performances, the writing, the directing and the production elements that make this wonderful film such a standard of the form. Keir Graff's author website. Keir's previous appearance on the Full Cast and Crew Podcast discussing "The Color of Money". Watch "The Verdict" Playlist of Official "The Verdict" clips. Watch the Paul Newman/Joanne Woodward documentary 'The Last Movie Stars', directed by Ethan Hawke. Buy Sidney Lumet's indispensable guide to making movies, called, magically enough 'Making Movies'. Listen to Sidney Lumet's indispensable Director's Commentary to 'The Verdict' in podcast form.

6 Juni 20232h 5min

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