48. Being There (1979)

48. Being There (1979)

Middle-aged, simple-minded Chance lives in the townhouse of a wealthy old man in Washington, D.C.. He has spent his whole life tending the garden and has never left the property. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively tells the lawyers that he has no claim against the estate and is ordered to move out.

Chance wanders aimlessly, discovering the outside world for the first time. Passing by a TV shop, he sees himself captured by a camera in the shop window. Entranced, he steps backward off the sidewalk and is struck by a chauffeured car owned by elderly business mogul Ben Rand. In the car is Rand's much younger wife Eve, who mishears "Chance, the gardener" in reply to the question who he is, as "Chauncey Gardiner."

Eve brings Chance to their home to recover. He is wearing expensive tailored clothes from the 1920s and 1930s, which his benefactor had allowed him to take from the attic, and his manners are old-fashioned and courtly. When Ben Rand meets him, he takes "Chauncey" for an upper-class, highly-educated businessman who has fallen on hard times. Rand admires him, finding him direct, wise and insightful.

Rand is also a confidant and advisor to the President of the United States, whom he introduces to "Chauncey." In a discussion about the economy, Chance takes his cue from the words "stimulate growth" and talks about the changing seasons of the garden. The President misinterprets this as optimistic political advice and quotes “Chauncey Gardiner” in a speech. Chance now rises to national prominence, attends important dinners, develops a close connection with the Soviet ambassador, and appears on a television talk show during which his detailed advice about what a serious gardener should do is misunderstood as his opinion on what would be his presidential policy.

Though he has now risen to the top of Washington society, the Secret Service and some 16 other agencies are unable to find any background information on him. During this time Rand's physician, Dr. Allenby, becomes increasingly suspicious that Chance is not a wise political expert and that the mystery of his identity may have a more mundane explanation. Dr. Allenby considers telling Rand this, but realizing how happy Chance is making him in his final days keeps him silent.

The dying Rand encourages Eve to become close to "Chauncey." She is already attracted to him and makes a sexual advance. Chance has no interest in or knowledge of sex, but mimics a kissing scene from the 1968 film The Thomas Crown Affair, which happens to be showing on the TV. When the scene ends, Chauncey stops suddenly and Eve is confused. She asks what he likes, meaning sexually; he replies "I like to watch," meaning television. She is momentarily taken aback, but decides she is willing to masturbate for his voyeuristic pleasure, thereby not noticing that he has turned back to the TV and is now imitating a yoga exercise on a different channel.

Chance is present at Rand's death and shows genuine sadness at his passing. Questioned by Dr Allenby, he admits that he "loves Eve very much" and also that he is just a gardener. When he leaves to inform Eve of Ben's death, Allenby says to himself, "I understand," but interpretation of that is left to the viewer.

While the President delivers a speech at Rand's funeral, the pallbearers hold a whispered discussion over potential replacements for the President in the next term of office and unanimously agree on Chauncey Gardiner as successor. Oblivious to all this, Chance wanders off through Rand's wintry estate. He straightens out a pine sapling flattened by a fallen branch, then walks across the surface of a lake. He pauses, dips his umbrella deep into the water under his feet (confirming for the viewer that it is not just a skim of water on the ground), then continues on, while the President is heard quoting Rand: "Life is a state of mind."

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155. Brad Pitt, Jonah Hill, and Phillip Seymour Hoffman in 'Moneyball' (2011)

155. Brad Pitt, Jonah Hill, and Phillip Seymour Hoffman in 'Moneyball' (2011)

Bennett Miller was the 3rd director attached to the adaptation of Michael Lewis' classic baseball non-fiction book 'Moneyball', after Steven Soderbergh was replaced by Sony, who got nervous over his plan for interspersing interviews with real-life characters from the book like Lenny Dykstra and Darryl Strawberry throughout the film. His rewrite of Steve Zaillian's script made the studio nervous when paired with the $50 million dollar budget. Some of that technique remains in Miller's use of real baseball scouts and former players in the film, but it's blended seamlessly with the fantastic performances by Brad Pitt, Jonah Hill (who replaced Dmitri Martin in the role of Paul Brand/Paul DePodesta), Phillip Seymour Hoffman, and Chris Pratt. Pitt and Sony exec Amy Pascal and producer Mike DeLuca stuck with the project, reduced the budget, and luckily, the film got made.  On the face of it, it's an audacious undertaking: no less than an art-house take on baseball. Or is it a crowd-pleasing writer's film with a decidedly 70's bent?  Or is it a treatise on the limitations of collective conventional wisdom?  It's all these things and more.  Some Articles About 'Moneyball': https://www.looper.com/593376/the-untold-truth-of-moneyball/  https://www.hollywoodreporter.com/movies/movie-news/making-moneyball-272655/ Roundtable with Brad Pitt, Jonah Hill, and Bennett Miller:  https://youtu.be/r9g2Bk2GQYY?t=199 84th Academy Awards Nominees and Winners.

23 Maj 20231h 55min

154. Robert Altman's 'Nashville' (1975)

154. Robert Altman's 'Nashville' (1975)

I'm joined by frequent FCAC Guest Star Richard Brown as we explore the many possible reactions to Robert Altman and Joan Tewksbury's 'Nashville'...a film that polarized pretty much everyone when it came out but that has settled into a comfortable middle-age of generally accepted masterpiece status.  But...is it?   In this episode Rick and I explore the fruits of Altman's decision to have entirely new country music songs written for the movie, in many cases BY his stars, many of whom were not musicians. We discuss Lily Tomlin's exerted influence on her character's key scenes, and how her warmth and humanity contributes much-needed heart to the proceedings. There was much backstage drama during the shoot, and of course we're not above handling the better of those stories with class and dignity... Watch 'Nashville' on YouTube. Read about 'Nashville' on Wikipedia. Some 'Nashville' clips. A few of Rick Brown's other recent FCAC appearances: Bobby Darin Beyond the Song Broadcast News Our 'Weird Christmas' Special Watch the 'Payday' trailer here.

16 Maj 20231h 51min

153. Warren Zevon's David Letterman Appearances

153. Warren Zevon's David Letterman Appearances

The 2003 episode that David Letterman devoted entirely to a single guest, Warren Zevon, stands out as one of Dave's signature episodes and the frank and revealing conversation they had about Zevon's terminal lung cancer diagnosis is but one of many fascinating layers to that appearance that this episode of the podcast explores. Issues of ambition, ego, addiction, self-medication and recovery were shared by both of these talented and tortured entertainers.  Zevon's life and career were shadowed by his alcoholism, his brief period of 12-Step sobriety, and the abstinence from alcohol and drugs he would give up upon receiving his terminal cancer diagnoses.  Letterman has spoken openly about his own father's alcoholism and sobriety in AA, and his own decision to stop drinking in 1984 and how his life and work has been altered by that decision. In their many meetings on Letterman's shows, these issues and many others would be crackling in the fore and background. This episode was inspired by Crystal Zevon's incredible, heart-wrenching oral biography of her ex-husband Warren Zevon, a contemplation of Zevon's many appearances on the David Letterman shows over the years, and a lifelong fascination with reading between the lines of rock biographies. Sources: Zevon songs 'Werewolves Of London' Video 'Keep Me In Your Heart' Lyric Video 'Desperados Under The Eaves' Video 'Searching For A Heart' Video Dr. Demento 'They're Coming to Take Me Away' 'Fish Heads' 'Dead Puppies' Paul Nelson's 1981 Profile of Zevon Zevon's Appearances on Letterman Jesse Thorn's revealing 2020 podcast interview with David Letterman Buy Crystal Zevon's excellent biography of Zevon on Amazon. Watch Letterman's Netflix INTV series.

2 Maj 20231h 53min

152. Twenty-Two Glimpses of Jeff Spicoli

152. Twenty-Two Glimpses of Jeff Spicoli

Sean Penn's committed, beyond-his-years performance as Jeff Spicoli is one of the great and most-storied American film acting performances, full stop.  After last week's episode about 'Fast Times at Ridgemont High' opened my eyes anew to how astoundingly complete Sean Penn made Spicoli, I simply had to do something I've never done on the pod before: devote an entire episode to appreciating and deconstructing the 22 times Jeff Spicoli appears onscreen in the film. Craig Brown's excellent book which gave this episode its title. And Craig Brown's excellent book about The Beatles which is also an inspiration. Here's a bizzaro Fast Times Coloring Book I really need to own.

25 Apr 20231h 5min

151. Fast Times At Ridgemont High (1982)

151. Fast Times At Ridgemont High (1982)

Amy Heckerling and Cameron Crowe's 1982 adaptation of Crowe's book 'Fast Times at Ridgemont High' is a classic that rises above the low-brow teen-sex comedy that Universal executives probably expected when they green lit the Valley-set film with a bunch of no-name actors (outside of Mr. Hand, of course), a soundtrack of artists who just so happened to mostly be represented by the film's executive producer, and a first-time director who couldn't sound or be more "New York" in Heckerling. Frequent FCAC guest Ted Jessup joins me to run through all the things that make this film exceptional and iconic.  We pay respects to Mr. Hand, Spicoli, Stacy, Linda, Brad, The Rat, Damone, Mr. Vargas, Jefferson and many more. So, please, say "Aloha" to the pod and join us, won't you? There's nothing wrong with a little information feast on OUR time, is there??

18 Apr 20231h 26min

149.  'The Color of Money' (1986)

149. 'The Color of Money' (1986)

After a two-week hiatus...and a hilariously unexpected detour in our attempt to do "The Manchurian Candidate" on this episode, my guest Keir Graff and I pivoted to 'The Color of Money' and I'm so glad we did. This episode features a lot of great stories about the making of the film, and also includes plenty of necessary discussion about 'The Hustler', specifically Piper Laurie, Paul Newman, Jackie Gleason, and George C. Scott's performances in that original film, the shared origin of the novels by the prolific, alcoholic, (and ultimately recovered) novelist Walter Tevis, who ALSO wrote the books turned into the film 'The Man Who Fell To Earth' and the Netflix series 'The Queen's Gambit'.  We talk about the gentle arc of Newman's life and career, viewed a bit through the lens of recent materials (materials it seems he never intended to make public) that shed light on what he was thinking and feeling during various important moments throughout his life.  And we talk about the curious reception that 'The Color of Money' continues to have among cineastes...and we play the famous Siskel & Ebert two thumbs down review of the film upon its release in 1986.  Hey, nobody's perfect! But it's funny in retrospect how so many of us at the time missed the undercurrents of connection to the Fast Eddie character in 'The Hustler'...connections Newman made sure that Scorsese and screenwriter Richard Price (who also has a great and brief cameo in the film) laced throughout the script and that he also included in his performance. Newman won his first Academy Award for 'The Color of Money'. LINKS Keir Graff's author website. Fast Eddie Felson is back. A funny Marty Scorcese interview from 1986. A great clip of a very Method Newman baiting Jackie Gleason's Minnesota Fats in 'The Hustler' Some clips from 'The Color of Money': Diner Clip/Newman   HALLWAY CONFRONTATION   Manipulating Vincent at Toy World   500 a Rack   DINNER SCENE   MOSELLE/DOOM:   FOREST WHITAKER:    Some of Robbie Robertson and Gil Evans' great incidental music from 'The Color of Money' score.   SISKEL AND EBERT:     Steve Mizerak Miller Lite commercial:

5 Apr 20231h 43min

148. 'Bobby Darin: Beyond The Song' (1998)

148. 'Bobby Darin: Beyond The Song' (1998)

In the late 90s three 28-year-olds with zero documentary filmmaking experience re-ignited a college dorm room pipe dream about making a documentary about the life and career of singer/songwriter/actor/activist Bobby Darin.  What followed was equal parts kismet and catastrophe and might serve as a useful blueprint and cautionary tale for anyone contemplating stepping into the unknown of a dream and ambition. With a combination of naive conviction and a blessed unawareness of the stop signs in their path, these two (one dropped out along the way, his story is in the pod) kids ended up making their documentary for PBS, interviewing heavy hitters like Dick Clark and Atlantic Records founder Ahmet Ertegun while having some gonzo adventures along the way with colorful characters like Monkees co-creator and New Hollywood film studio BBS principle Steve Blauner.  In this Very Special Episode of the Full Cast and Crew Podcast, we'll unfold this funny and heart-felt tale with plenty of anecdotes and lessons learned by our two filmmakers. LINKS: Buy the 'Bobby Darin: Beyond The Song' DVD from Amazon. Or, watch it on YouTube Buy Al DiOrio's great book about Bobby Darin, referenced in the podcast, here. Get Dodd Darin's excellent book about his parents 'Dream Lovers' here. Support podcast guest and 'Beyond The Song' co-director Henry Astor's UK farm shop Bruern Farms. Thanks for listening! Please hit FCAC with a 5-star review on Apple, it helps more people discover your favorite little film podcast.

14 Mars 20231h 39min

147. 'Avatar: The Way of Water' & the 4K 3D Re-release of 'Titanic'

147. 'Avatar: The Way of Water' & the 4K 3D Re-release of 'Titanic'

James Cameron has made 3 of the top 4 highest-grossing films of all time, with a collective box office of more than EIGHT BILLION DOLLARS. Recently I had the occasion to watch both 'Avatar: The Way of Water' (currently the #3 highest-grossing film) and the 4K 3D re-release of 1997's 'Titanic' (#4). Collectively, that's about 7 or 8 hours in the Cameronverse.   In this ruminative episode, I share the existential crisis thus unleashed upon my cinema-going Avatar, a crisis of conscience and consciousness in equal measures. Also in this episode, I recommend the Bob Lefsetz Podcast and Lefsetz Letter...so...join me, won't you?? LINKS: 'Titanic' alternative ending. The Bob Lefsetz Podcast.

7 Mars 20231h 8min

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