Brahms Double Concerto

Brahms Double Concerto

It's entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn't met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time, had already established himself as touring soloist and recitalist, and he happened to know the musical power couple of Robert and Clara Schumann quite well. Joachim encouraged Brahms to go to Dusseldorf to meet the Schumann's, and the rest is history. I've talked about the Brahms-Schumann relationship dozens of times on the show before, but to keep it very brief, Robert Schumann's rhapsodic article Neue Bahnen(new paths) launched Brahms' career, and until Schumann's deterioration from mental illness he acted as a valued friend and mentor for Brahms. Clara Schumann, as a performer, was a powerful advocate for Brahms' music as well as a devoted and loving friend throughout the rest of their lives. Almost constantly present in this relationship was the sound of Joseph Joachim's violin. Brahms did not have a huge circle of friends, but for the often difficult to get along with composer, Joachim was a musical and spiritual companion. Brahms' legendary violin concerto was written for him, and the two collaborated closely for the entire course of their musical lives, except for one significant break. Brahms and Joachim were estranged for 7 years, until Brahms reached out with a remarkable conciliatory gesture: a concerto for Violin and Cello and that would be dedicated to Joachim. Brahms and Joachim(as well as Brahms and Clara Schumann) had often resolved disputes through music, and this was no exception. Clara Schumann gleefully wrote in her diary after Joachim had read through the piece with cellist Robert Hausmann: "This concerto is a work of reconciliation - Joachim and Brahms have spoken to each other again for the first time in years." One would expect that a work like this would be beloved, but the Double Concerto has had a checkered history, which we'll also get into later. Clara herself wrote that it lacked "the warmth and freshness which are so often found to be in his works," It would turn out to be Brahms' last work for orchestra, and one of the few in his later style, which makes It fascinating to look at from a compositional perspective. Partly because of the cool reception it got in its first few performances, and the practical challenges of finding two spectacular soloists who can meet its challenges, the piece is not performed all that often, though I have always adored this piece and am very grateful to Avi who sponsored this week's show from my fundraiser last year before the US election. So let's dive into this gorgeous concerto, discussing the reasons for Joachim and Brahms' break, their reconciliation, the reception this piece got, and then of course, the music itself! Join us!

Avsnitt(272)

A Conversation with Frederica Von Stade

A Conversation with Frederica Von Stade

Frederica Von Stade needs no introduction. She is one of the legends of our time, and one of the most beloved singers in the world. She has made over 60 recordings and has appeared with all of the world's great opera companies. She is also spearheading a new project called The People's Choir of Oakland, focusing specifically on the homeless population. We talked about the People's Choir, and also touched on her career, including her experiences with Bernstein, Karajan, Abbado, and more. This was a blast.

18 Mars 202148min

Introduction to Opera + Mozart, Marriage of Figaro (Part 1)

Introduction to Opera + Mozart, Marriage of Figaro (Part 1)

In the late 16th century, a new art form emerged, borne out of a desire to re-engage with Greek dramas of the past. This art form was incredibly ambitious; it would involve music, words, and dance, all written to entertain court patrons and their subjects. Soon, this new idea had a name: Opera. Today, we'll do a brief overview of how opera developed all the way up until Mozart's time. Then, I'm going to take you through Acts I and II of Mozart's opera The Marriage of Figaro, my desert island piece. Enjoy!

11 Mars 20211h 13min

Renaissance Music in 60 Minutes

Renaissance Music in 60 Minutes

There are indelible images associated with the musical Renaissance period. This 200 year era saw an astonishing growth in productivity, an expansion of education, both musical and otherwise, and repeated religious upheavals. The music of this period existed both as a catalyst and as a reaction to all of these momentous events in history. We'll talk all about this fascinating 200 years of musical history in the 2nd of this ongoing series of each of the periods of Western Classical Music in 60 Minutes.

4 Mars 202156min

William Levi Dawson, "Negro Folk Symphony"

William Levi Dawson, "Negro Folk Symphony"

William Dawson is not a household name to classical music lovers. But for one week in 1934, he was the talk of the classical music world. The legendary Leopold Stokowski and the Philadelphia Orchestra had chosen to program a new symphony by Dawson entitled "Negro Folk Symphony." It was broadcast nationwide and the audience reaction was ecstatic. But the piece soon disappeared and it is only in the past few years that it is performed more often. Today, I'll take you through this absolutely amazing symphony.

25 Feb 202154min

Nathan Milstein, Django Reinhardt, Playing with Only Two Fingers, and More, w/ Clayton Haslop

Nathan Milstein, Django Reinhardt, Playing with Only Two Fingers, and More, w/ Clayton Haslop

Clayton Haslop might not be a name that is familiar to all of you, but I bet you anything that you've heard his playing. He has appeared as concertmaster on over 1000 TV Shows and Movies, such as Titanic, A Beautiful Mind, The Matrix, Ratatouille, Star Trek, The incredibles, UP, and others. His story took on an extra resonance when he began suffering from Focal Dystonia. Taking a cue from the guitarist Django Reinhardt, Haslop relearned the violin with just two fingers. In this conversation, we talk about studying with Nathan Milstein, Neville Marriner, and Haslop's journey back to playing.

19 Feb 202140min

Bartok Divertimento for String Orchestra

Bartok Divertimento for String Orchestra

It might surprise, or even shock you, to learn that a piece that crackles with joy and excitement like Bartok's Divertimento was written in November of 1939. But the circumstances of the Divertimento are among the most unusual in the history of 20th century music. Bartok's Divertimento is a perfect amalgam of his style; a wholehearted embrace of folk music, old forms, and in the slow movement, a large dose of terror. This is a truly underrated piece that allows us to explore Bartok from every angle. Enjoy!

11 Feb 202150min

Medieval Music in 60 Minutes

Medieval Music in 60 Minutes

When we hear Medieval music performed live, it speaks to us in a different way than almost any other music. It seems to have just appeared, as is, from the earth itself. Medieval music was originally passed down by oral tradition but soon a desire for standardization led to musical notation, rhythmic notation, and the seeds of so much music to come. Medieval music might be the most mysterious of all the eras of classical music, so let's dive right in, with Medieval Music in (almost) 60 minutes.

4 Feb 202152min

Beethoven Violin Concerto

Beethoven Violin Concerto

December 23rd, 1806 should have been one of those dates etched into musical history; it was the premier of a new violin concerto by Beethoven, performed by one of the great soloists of the day. But the performance was a relative failure, and the concerto languished in obscurity for decades. Why did it fail? How did it get re-discovered, and how did it slowly become one of the most beloved pieces ever written? We'll explore all that today as well as every nook and cranny of this remarkable concerto!

28 Jan 202150min

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