Franck Symphony in D Minor

Franck Symphony in D Minor

In the 1960s, Leonard Bernstein famously helped to popularize the music of a then relatively obscure composer, Gustav Mahler. His work, as well as the work of other conductors, made Mahler into a classical-music household name. Mahler's symphonies are played every year all over the world, and he is firmly ensconced in the so-called canon of standard orchestral repertoire.

Would it surprise you to know that Franck's D Minor Symphony once had the same reputation? It was played almost every year by most major orchestras, it was recorded by all the great conductors, and it was a fixture of the canon just like a Brahms symphony. Nowadays you would be lucky if, outside of France and Belgium, you hear Franck's Symphony once every five years, if that.

The truth is that, other than a short golden period for this symphony, it has either been controversial (around the time it was premiered) or ignored (nowadays), which is a real shame, since it is a glorious piece that I would argue is drastically underrated in our modern world. The symphony was radically innovative for its time, which probably explains some of the more virulent criticism it received, but even though those innovations now sound completely normal to our ears, they are still at the heart of what makes this symphony so profoundly satisfying to listen to.

Ahead of my performances of the symphony in Lille this December, I wanted to dive in and explore this unfairly ignored masterpiece. In about 40 minutes of music in three grand movements, Franck pours his soul into this work. That phrase sounds a bit cliché, I know, but I really mean it; there is an earnestness about this music that I find deeply moving, and it is something we will explore together today.

We will talk about Franck's late entry into the world of composition, his reputation as an organist, and the challenges he faced in finding acceptance as a composer. Along the way, we will discuss this gorgeous piece in all of its passion and intensity. Join us!

Avsnitt(276)

Respighi, "The Pines of Rome"

Respighi, "The Pines of Rome"

Respighi occupies a strange place in musical history. He is almost never considered to be one of the "greats," though his mastery of orchestral color is never doubted by anyone. Today on this Patreon sponsored episode, we'll look at his Pines of Rome. We'll talk about Respighi's extremely detailed program notes, his Strauss like gifts at portraying real life in his music, and the fact that Respighi, for all his innate conservatism, was actually the first composer to use electronic music in one of his works.

21 Maj 202041min

Quarantine, Richter, Kleiber, Dvorak, Zander, Wearing Different Hats, and Schumann w/ Zsolt Bognar

Quarantine, Richter, Kleiber, Dvorak, Zander, Wearing Different Hats, and Schumann w/ Zsolt Bognar

Zsolt Bognar is a Renaissance Man. He is a pianist, a writer, a thinker, and the host of Living the Classical Life, an amazing show where Zsolt sits down with some of the leading lights of the classical music world. Today I turned the tables and interviewed him in a wide-ranging conversation that touched on some of our favorite musicians and composers, our experiences wearing many hats in the classical music world, and of course, how we're dealing with quarantine life. This was a really fun conversation and I hope you enjoy it as much as I did!

18 Maj 202047min

Mahler Symphony No. 2, Part 3

Mahler Symphony No. 2, Part 3

At the end of 1893, Mahler could not find a way to end his 2nd Symphony. But the funeral of Hans Von Bulow, a conductor who Mahler worshipped even though Von Bulow hated Mahler's music, gave Mahler what he called "the flash that all creative artists wait for." In one of the most sprawling, dramatic, and narratively based movements he would ever write, Mahler embraced a kind of universal humanism that is inspiring to this day. We'll talk about this movement and the radiant Urlicht movement that precedes it.

14 Maj 202055min

Classical Music During the Pandemic

Classical Music During the Pandemic

Today I was thrilled to have with me Matthew Szymanski of the Phoenix Orchestra and Aram Demirjian of the Knoxville Symphony on the show to talk about what classical music as a whole is going to need to do to respond to the current situation with COVID-19. This is a weedsy conversation that digs into streaming, the future, and the sobering realities of audience-free concerts. If you want to hear 3 musicians grappling in real time with this crisis and how we will come out of it, this is the show for you.

11 Maj 202044min

Mahler Symphony No. 2, Part 2

Mahler Symphony No. 2, Part 2

Today we explore the two middle movements of Mahler's 2nd symphony. These movements were meant as intermezzi, and are both memories in their own way. The first is a nostalgic, wistful, and extraordinarily simple(for Mahler) Austrian Landler. The second is a bitterly cynical and ironic retelling of a story from Mahler's favorite collection of folk poetry, Des Knaben Wunderhorn(The Boy's Magic Horn). These are the movements listeners sometimes struggle with the most, so let's uncover their secrets together!

7 Maj 202036min

Debussy Prelude to the Afternoon of a Faun

Debussy Prelude to the Afternoon of a Faun

We're taking a brief detour from Mahler 2 today to discuss Debussy's legendary Afternoon of a Faun, a piece written in the same year as Mahler's 2nd symphony. It's easy to forget how revolutionary this piece was at the time, but composers from Stravinsky to Schoenberg to Boulez to Messiaen were galvanized by this 10 minute masterpiece which Boulez said "breathed new life into the art of music." This is a piece that changed musical history for good, and today we'll find out exactly why it had such an impact.

4 Maj 202035min

Mahler Symphony No. 2, Part 1

Mahler Symphony No. 2, Part 1

"What next? What is life and what is death? Will we live on eternally? Is it all an empty dream or do our life and death have a meaning? We must answer this question, if we are to go on living." These words form the basis of Mahler's epic second symphony. This week, on Part 1, we'll talk about the first movement of the symphony. We'll explore Mahler's multiple programs for the piece, the structure of this huge movement, and of course, the powerful emotions underpinning every single note Mahler ever wrote.

30 Apr 202038min

A Conversation with Jan Swafford, Composer and Author

A Conversation with Jan Swafford, Composer and Author

If you ever wanted to be a fly on the wall for a slightly nerdy conversation between a conductor and a composer who also happens to be a great writer and thinker about classical music, this week's show is for you! This is a wide-ranging, free-flowing conversation that covers the composition process, understanding Beethoven from a composer's perspective, the intimacy of Brahms, and the wackiness and earnestness of the music of Ives. I hope this hour will be as fun an escape for you as it was for me!

27 Apr 202056min

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